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Boris appears as hands first — rough, patient, disciplined.
There is the smell of wood dust, resin, and old churches. Saints appear half-finished.
He speaks of tradition, but never of where it began — only that it must continue.
Ornate balustrades, bannisters, and carved figures watch from the corners of rooms.
Whether he taught others or merely demanded they learn is unclear.
He insists on precision. He insists on realism.
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